Tag Archives: Culture

Day 3 – We hit peak Mosaic

Tuesday 17 May 2022 – We had an early start today; once again, the only times we have to get up early is when we’re “relaxing” on holiday.  Anyway, come 8am, we were on the road that would lead us eventually to Petra, but which had several stops on the way.  Almost all of these stops seemed to involve mosaics, so I hope you like mosaics.

The first stop was in the town of Madaba, the “City of Mosaics”, to visit St. George’s, a Greek Orthodox church. The reason that so many people visit it is that it is the home of a very famous mosaic, the oldest surviving original cartographic depiction of the Holy Land, dating from the 6th century AD. The mosaic was rediscovered in 1884, during the construction of a new Greek Orthodox church, St. George’s, on the site of its ancient predecessor. Outside (and replicated on cards in the on-site retail opportunity) is a large display explaining what the remaining areas of the mosaic are.

The map mosaic itself is very difficult to convey photographically, because it is so large.  I took a couple of snaps, of course I did, but I also tried to give an idea via video.

It is amazing that there are still areas of the mosaic that are still hiding under tiling work that has been laid on top of it, for some bizarre reason.

As well as this historic ancient mosaic, the church has an incredible array of modern mosaics, made in the Madaba School of Mosaics (these days called the Madaba Institute for Mosaic Art and Restoration), which can be found on every available display surface.

They are very intricate and beautifully made.

On searching for the etymology of the word “mosaic”, I learned that it has its roots in the Latin for the Muses.  It’s also true that Mosaic (capital M) means “pertaining to Moses”, which is relevant for our next stop, which was at Mount Nebo, the site from which Moses was allowed to see the Promised Land, and where he then died. It is obviously a site of great historical and religious significance, but the Moses Memorial church there (originally built in the 4th century AD and restored by the Franciscans in 1932 to working monastery status) is quite a plain building, and not ornate at all.

Since this is where Moses could see the Holy Land, you might expect there to be a decent view.  You’d be right.

It’s a popular spot for people to look from, and marked by a representation of Moses’ staff.

On display outside the church are a couple of the mosaics from the original building

but it’s inside the church where the real action is, mosaic-wise.  The most impressive is a 6th Century mosaic in the Diakonikon Baptistry in the church, pictured as captured on a non-Diako Nikon camera.

There are many, many, wonderful and intricate mosaics there.  Some have the shapes often found in stained glass, and there is also some real stained glass cunningly shaped to look like a mosaic.

I’d love to go into more detail, but honestly there is so much there it would become dull if I were to share all the photos I took.

We went back into Madaba and visited the Madaba Arts and Handicraft Centre.  We got a very interesting insight from a chap there who explained about how both old and modern mosaics were made.  There were several people at work creating mosaics – the centre is a co-operative which provides training to budding mosaicists, many of whom have special needs.

As well as what anyone would understand to be mosaic work (with pieces of stone down to about 2mm in size), the centre also has work that is “micromosaic” – creating art with pieces of stone so tiny that they can only be worked through a magnifying glass; or indeed with dots of powdered stone “paint” – pointillisme in stone.  The resultant work is remarkable.

Ostrich eggs are common bases for this kind of artwork, and the chap was such a good salesman that Jane failed to escape without buying an example.  The co-operative does good work in supporting disadvantaged people, mainly women, and has the financial support of Queen Noor of Jordan, so we’re pleased that the money is going to support a good cause.  No, really.

So that was peak mosaic, and we left to continue our journey towards Petra.  En route, we passed an unusual roundabout decoration.

We have been unable to understand why this choice of decor has been made but we’ve seen more than one example.

Saeed drove us along the King’s Highway*, a scenic and historic route so-called because it once linked the realms of three kings – Ammonite, Moabite and Edomite.  It’s preferable to the Desert Highway, which is straighter, faster and has fewer speed bumps, but is dull.

By contrast, the route that Saeed took us had some wonderful scenery,

an unusual new marketing look to a fast-rising supermarket chain,

some more fantastic views,

a remarkable, if ramshackle, tea stop-cum-retail-opportunity run by yet another welcoming Jordanian (pictured below with Saeed),

and stopping for a visit to Kerak (or Karak) Castle, a 12th-century Crusader castle which also had a significant strategic role up to the Ottoman period in the 19th century.  It was badly damaged in a siege and has really only partially been restored.  It has a looming presence over the surrounding countryside.

It looks impressive from the outside and is huge and rambling on the inside, but lacks information boards and other things to help understand its story.  You can understand its strategic importance, given that rule 1 of such a place is to have a commanding view over the countryside so you can spot any unwanted marauding going on by your enemies.

but the site itself, while it has several impressively castle-y lumps of masonry

didn’t have a story to tell, or at least not one that came over to us.

The town of Kerak would actually be a wonderful photo site – all tiny narrow streets, chaotic traffic and colourful shops.  We didn’t get a chance to see it beyond one rather optimistic piece of marketing.

Shortly after this we stopped for lunch at an unusual restaurant-cum-retail-opportunity called Midway Castle

where we had a taste of the National Dish of Jordan – mansaf (slow-cooked lamb with rice, flatbread and a special yoghurt sauce).  Yes, I have a picture of it.  No, I’m not going to share it with you.  Then we pressed on, again largely avoiding the Desert Highway, which meant we saw camels

sheep and goats,

more impressive scenery

and the “Smallest Hotel in the World”.

We also passed by Shobak Castle

but didn’t go in, as we didn’t need a loo break.  Our final stop, as we hit the outskirts of Wadi Musa (the “Valley of Moses”, where Petra can be found) was at the spring that is the source of the water running through the valley, and may be the place where Moses struck the rock with his staff and water came forth for his thirsty Israelites:

It’s remarkably low key for something that bears the name of Moses.  People can stop by and fill their containers with water

underneath the writing taken from the Koran that says  something along the lines of “From water, all life begins.”

And so our journey ended at the Mövenpick, Petra. We immediately had a meeting with Ali, a representative of the organisation that provides tourist guides for Petra, because we had decisions to make.  Unfortunately, The Powers That Be have decided to close a hiking route that we had planned to take (from Little Petra to Petra Monastery) in a couple of days’ time, so we had to work out what our alternative was going to be.  Oddly enough, “sitting in the bar and drinking gin” didn’t seem to be the right thing for me to suggest, so we’ve got two hikes set up for tomorrow and Thursday, both of which involve quite a lot of walking and climbing of stuff.  And because we want to beat (a) the tourist hordes and (b) the heat of the day, we have to get under way at 0630 tomorrow.  O, the joys of being a tourist!

But, assuming we survive, the coming days should be absolutely wonderful, despite a 5am alarm call.  So do please stay tuned to see how things turned out.

 

 

*  “Along the King’s Great Highway, he drives his merry load /  at 90 miles per hour in the middle of the road.”  With thanks to Flanders and Swann

Day 2 – In the Amman City of Jordan’s capital

Monday 16 May 2022 – A shorter day beckoned, although you’ll see from the number of photos in this entry that the intensity didn’t diminish much from yesterday.  However, we didn’t have to get under way until 10am, when we met our driver, Saeed (since we now have his card, we know how to spell his name properly; but I’m not going back to correct the joke), and our guide for the day, Marwan, and set out to explore Amman. As it turned out, we did the itinerary in the reverse order of what Audley had described in our literature, but since we hadn’t really read that, it didn’t really make much difference.

Our starting point was the Citadel of Amman, the city’s historic and archeological centre. Marwan gave us a long, detailed and complex run down of the cultural influences that have formed Jordan and Amman.  The highlights are summarised on some monoliths just by the Citadel entrance, which trace the naming of the city as the various cultures came and went:

  • Rabbath & Ammon – Iron & Bronze Ages and the Greeks
  • Philadelphia – the Romans and the subsequent Byzantine period when they converted (Christianity, rather than North Sea Gas)
  • Amman – the arrival of Muslims and the Ottomans.

(Round the corner on this patch is a stone dedicated to, inter alia, the British influence which started after World War I.  Several of the key letters have fallen off this one, so, for example, it would appear to start with the “itish Mandate” from 19AD – 1946AD.)

The cultural roots of Jordan are utterly bewildering, as wave after wave of nationalities have washed over the place and left some influences and picked up others. Arabs of many persuasions, Muslims, Turks, Kurds, Bedouin of all sorts of nationalities, and even Gypsies (of three different types, apparently) have come and either gone or stayed and this makes Jordan a real melting pot.   The Citadel, however, displays principally its Graeco-Roman roots.

It being a Citadel, it’s on top of a hill to maximise its defensive chops, and so you can get a great view over the old city of Amman – “old” in this case meaning from about the last century.

There’s an obvious exception to the “last century” tag bang in the middle of that picture – the Theatre – and we’ll come to that later.  But Marwan did educate us on one point of subtlety about its construction which gives away its Greek roots.  When Romans built theatres, they made them self-contained, stand-alone constructions, whereas the Greeks tended to build them based on and incorporated into natural features such as a hill; you can see this is the case with Amman’s Theatre.  We visited it later so there are more photos below.

A couple of other things about the old city of Amman.  Firstly, its colour, or, rather, lack of it. The buildings are of a uniform sandy colour, and this is mandated. The idea is that it should not differentiate itself too much from the hills upon which it is built.  Secondly is something you might not even notice until someone points it out, and then you can’t unsee it: white tanks on top of all of the buildings.

These are water tanks, and the reason they’re needed is that water is only pumped to any one area of the city on one day a week. So each building gets to fill its tank, but this has to last for seven days.

Our route round the Citadel took us past the Temple of Hercules

and then further on past the remains of an episcopal church.

Marwan pointed out that this was a view over the religious history of the city from pagan to Christian.  The site also had a palace from the Ummayad period (8th Century), which had a stone roof until an earthquake did for it; a team of visiting Spanish archaelogists (there’s a strong connection with Andalucia as this became part of the Ummayad caliphate) subsequently built a wooden dome clad in lead.

The varied cultural roots of Jordan continue in the details of the decoration of the stonework inside the building.

If you look carefully, you can see a cross between the two arches, betraying Christian influences.

As we walked outside, we were distracted from all this cultural hoo-hah by the appearance of a lark

and, delightfully, a hoopoe.

The next stage on the journey round the Citadel was the museum, which contains all sorts of historical artefacts from all over the Arab world. I’m not, frankly, much into the detail, but a couple of things stood out.

Lovely bowls, yes, but – Tupper ware?  If someone reading this knows any credible historical reason why this is not a mis-translation, please answer in the comments section. There were some striking clay coffins

seen here with the alarm sensor that Jane triggered when gesturing to a detail on the coffin.  But the minders let us off with a mild beating and we went on our way.*

We returned to the car and Saeed took us on a short drive so we could see the old town, which is exactly as colourful, hectic and chaotic as you would expect from having seen how they drive over here.

We actually started this part of the tour by going to the Theatre (behind us in this shot) but simply getting across the road was an act of derring-do.

The Theatre.  Ah, yes, the Theatre, originally built between 138 and 161 CE, during the rule of the Antoninus Pius.  It’s massive – seats 6,000 apparently.

Marwan, ever a source of intriguing nuggets, told us that one of the ways that historians calculate the number of inhabitants of a Roman city was based on the size of the theatres.

Before we got to clamber up all those steps, we looked into the two small museums on the Theatre site, the Jordan Folklore Museum and The Jordanian Museum of Popular Traditions.  In the latter of these, we had a bizarre encounter with two young Arab ladies who spotted what a big camera I had and wanted me to take their picture with it.  Trouble is, they spoke no English.  Jane got Marwan to translate and even he was struggling to understand what they wanted, since they originally wanted Jane in the picture as well.  That was a non-starter.

It turned out that they wanted to be photographed with a tourist so they could show off their cultural credentials, presumably to their mates on Instagram; but they couldn’t grasp the technicalities of transferring a picture from my Nikon to their phones and for some reason didn’t want to use either of their phones (both iPhones, I might add, so would have been perfectly capable of providing a picture). So, here they are, immortalised on a platform that will be read by literally one or two people. Probably Jane and me.

After we agreed that we couldn’t (wouldn’t) help them, we looked around the rest of this museum, the folklore one,

which included a model of a chap selling a liquorice drink, which Jane found rather fetching.

For myself, I was taken with a display that included music instruments.

Bottom left you see implements for grinding coffee, which was a rhythmic exercise, thus often done to music.

The other museum had some examples of mosaic work and also further models of costumes, including a Bedouin Police Uniform

designed, apparently, by the British.  I never satisfactorily understood how that happened.

And so to the Theatre itself. Of course we had to climb all the way to the top.  There were many, many steps, not all of them completely safe.  But the view from the top was quite something

and then all we had to do was to clamber down again, a process which would sting quite badly if one got it wrong.  Happily, we made it to the bottom unscathed, and carried on our walk into the bowels of Amman Old Town.  Again, crossing the road to get there was far more dangerous than anything we’d encountered on the Theatre steps.  It’s a vibrant, colourful area.

Marwan took us on a small detour through a fruit and vegetable market, which was exactly as noisy, crowded and exotic as you might expect (I never once found a position to stand where I wasn’t in someone’s way within five seconds) with all sorts of fruits and leaves and spices the like of which we knew not.

The final part of the tour, and continuing the cultural induction aspects, was lunch. This was taken in a restaurant called Hashem which seemed to span several properties, but had a very simple offering: pitta bread accompanied by salad and pickles and any or all of falafel, fava beans and hummus.  Tea, coffee, coke or water were the available drinks, and everything was served on a plastic sheet with no cutlery or plates or luxuries like that.  Basic, it was. Delicious, it was.  I even took a photo of it, but it’s more than my life is worth to share it here. After that, Marwan took us for pudding to a shop which is part of a chain called Habiba sweets.  The menu is largely incomprehensible, even the bits in English.

Znood set, anyone? Marwan ordered us something that turned out to be coarse kunafeh – shreds of pasta on a cheese base, topped with syrup and ground pistachios. It’s the second from right in this picture

and was, you guessed it, delicious.  Vastly calorific, but, hey, we’re on holiday.  The shop also sells sweets and has a beautifully-crafted display.

And that was it for the day.  Saeed took us back to our hotel where we promptly fell into a siesta, only waking in my case to write about the day before all the details got lost.  Quite a few of them did, but I hope there’s enough in the above to have entertained you thus far.

(Later: having slaved over this blog entry, we went down to the hotel bar for a couple of drinks

 

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and ended up having a very enjoyable chat with the bar staff – some compensation for the extraordinary price for the drinks. You can drink alcohol in Jordan, but it’s not a cheap pastime.

Tomorrow we leave Amman for the next stage of our holiday here.  We go to Petra and I hope that the prospect of reading about that in these here web pages will keep you coming back for more, to learn how we got on.

 

*  I’m joking. A chap poked his head round the corner and then went away again.

 

Day 5 – What the fox that?

Saturday 3rd July, 2021.  One gets to be obsessed with the weather while on holiday in Iceland.  It’s not a conversation-easer like in England; here, it really matters.  The forecast for the day was hopeful.

but the reality was much better.

Ísafjörður looked lovely in the sunshine; and Jane pointed out that it also has an unusual-looking church. It seems to be a thing here.

We set off into the sunshine with a song in our hearts and a long day’s driving ahead.

Then we ran into the fog.

However, Dagur Had A Plan, and so took us up into the hills, where we could get some good views looking down on the clouds, which is always nice.

Today, we learned the proper Icelandic word for the “Valley Fog” that we’d first noticed yesterday. It’s called “dalalæða”; “dala” means valley, if my knowledge of Swedish is anything to go by.  This is a form of sea mist, but it’s pretty much unique to Iceland, as far as I can make out. Every so often for the rest of the day we entered a bank of mist, or it figured as part of the view.  So, for example, we stopped at an outdoor maritime museum at Bolungarvik, and could barely make it out through the mist.

But the mist also provided a lovely backdrop to a photo of Ísafjörður.

Our next stop was at a museum dedicated to the Icelandic Arctic Fox.  Officially, this is the same as arctic foxes found elsewhere; but an interesting information film gave the impression that actually the genetic makeup of most of the Iceland population is diverging from those elsewhere. It’s an appealing place

with coffee and cake if you want it, and several (stuffed) examples of foxes, such as this, which we judged to be the finest specimen on display.

Both Jane and I were under the impression that arctic foxes had a winter (white) coat, which changed into a summer (dark) coat.  It turns out that we were wrong; there are two “morphs”, white and blue, and while their coats may change a little in colour, it’s not the transformation that we’d previously thought.

And outside, in a large caged-off area, they have a real, live, fox.

Arctic fox cub

It’s just a pup; a Bambi fox, because apparently it’s parents were shot. It’s not known what its future holds, but for now, it is supremely cute.

Further cuteness was on display a short while later, as Dagur suddenly braked, turned round and went back along the road we’d come along.  It turned out that he’d spotted a lone seal on a rock, and so stopped and took some photos.

There is an “official” place to view seals a little further around the coast, so we stopped there; but one really needed binoculars to see the seals; my general-purpose lens could barely pick them out.

and my phone couldn’t do the scene justice, either.

(though, once again, this image is a tribute to the imaging power of modern phone cameras.  I could barely distinguish between seals and stones with the naked eye).

Shortly after this, we had a scenery stop at Rjukandi, where there’s a pretty cascade. But this is Iceland, so it’s not a real waterfall.  We did venture off-piste to try for a photo of three others.

I particularly wanted to capture this as a wonderful demonstration, suitable for any geography/geology lesson, of water’s power of erosion.

It was time for lunch, and serendipity stepped in at this point, as we were near a place where we could see a round of Vestfjarðavíkingurinn 2021, the Icelandic Strongest Man competition.

It was slightly surreal to see these large chaps congregating

and I was lucky enough to get a little video footage of a couple of the contestants

after which they came into the restaurant for lunch.

The commentator is a very big name in Iceland – Magnus Ver Magnusson, who won the World’s Strongest Man competition four times.

After this unusual lunch stop, we next visited Saltverk, a small factory producing some of Iceland’s (apparently) famous sea salt in a 100% sustainable fashion, based on a geothermal source at Sudureyri.

This heat is used to evaporate salt water taken from the sea from its normal salinity of around 3.5%, in stages, to around 28%, where the salt starts to separate out in its tanks and sink to the bottom, where it can be collected.

and then put into drying racks before being packaged up.

The salt is mixed with other ingredients such as thyme, or smoked, or sold untouched by further processing.

The rest of the day consisted of simply getting to our hotel, and thus completing a journey of over 350km.  The scarcity of towns and villages as we travelled underlines how isolated these parts of Iceland are, and goes some way to explaining why some places are struggling – the distances are too large for any kind of convenience in living.

We passed a couple of noteworthy buildings on our route to the hotel:  a house that looks more like a small castle (unoccupied definitely, and abandoned, it would seem);

and another for our informal collection of unusual church buildings – this one at Holmavik with rainbow steps.

And so here we are at our hotel, at Laugarbakki – a modern and quite imposing edifice, with, as we’ve now come to expect, very good food in the restaurant.  Jane had a salad which included unusual-coloured pea pods:

She didn’t eat it, of course, as she’s not a Purple Peapod Eater.

So here we are at the end of a varied day. We have a similarly mixed programme of things to look forward to tomorrow, so I’d be very glad if you were to come back and Read All About It then. For now, good night!