Tag Archives: Crowds

Day 37 – Redondela to Pontevedra: My Sarría Moment

Saturday 3 October 2026 – We made what was probably something of a tactical blunder in our timing of the day, and it’s all Accuweather’s fault! We had been expecting the possibility of thunderstorms and rain after 2pm, and had 21 or so kilometres to cover, so started out dead early; we took our voucher-paid breakfast at the nearby café at 7am and were on the road at just after 7.30.

Unfortunately, it seemed that so was the rest of the peregrino world.

I wrote yesterday about increased footfall; I write today about there being too many sodding pilgrims. I guess I had formed the opinion from yesterday that crowding would not be an issue. Today, it became clear that, for me at least, it was.  I had my Sarría moment today. To quote from that blog entry, “Yes, of course these people have a perfect right to be there; of course I’m being unreasonable. But I hated it. All day.” Today was like that, except not quite all day. It occurred to me, as the day wore on, that the actual number of people is not so much the issue. What triggers me is basically the noise; I like walking in almost complete silence and there was a lot of babble buggering my bubble. Yes, it’s their Camino; but their behaviour buggers up my Camino and I’m hoping that today has inoculated me for the five subsequent days that see us to Santiago.

I’m fairly sure that, had we left later, we would have experienced less crowding because we were on a “Brierley Stage” – a stage as documented by the sainted John Brierley in his extremely good and influential book on this Camino, which thus informs the accommodation and hiking strategies of a large number of the pilgrims. So a lot of people set out at about the same time on the same route; hence the crowds.

We had one exceedingly irritating peregrina today.

I very nearly plucked up the courage to say something to her, but my nerve failed me, so, for the half hour or so that she was in earshot, I simply fumed; it’s the British thing to do, after all.

A lot of photos I took today were about the crowds

A lot of others were about the myriad of pop-up/entrepreneurial sideshows along the way, offering sellos, shells, bracelets, food and other stuff that pilgrims might pay money for.

There was one musician by the wayside that I thought was worth paying; a piper, who was really quite good (if you like that kind of thing).

There were several bicigrinos – cyclists – who must have found the crowds even more aggravating than I did. There was also a very junior peregrina;

I wonder how far she will walk in total?

So, outside the crowds, how did the day go? The weather was fine – and this is where Accuweather had let us down, by providing the forecast that suggested we should start early. We had glorious sunshine all day, and temperatures around the mid-20s. There were a couple of hills to climb, steep in places

and with correspondingly steep descents.

Actually, the one above was at a point where we followed our online map rather than the waymarks. It led down to a major road a couple of hundred metres earlier than the “official” path

but there were still waymarks on it and, if you look carefully, you can see that the track is called “Camino dos Peregrinos”, so it seems that the Powers That Be are tinkering with the route for whatever reasons. Whatever, it gave us a short but well-appreciated dose of solitude as we walked.

We got some great views: as the sun came up, as we crossed the river Verdugo on the Puente Medieval de Pontesampaio, and as we reached the summit of the hills.

Naturally, at some of these lovely views, people were more interested in thrusting their gurning faces unnecessarily in them.

Quite often, though, people just slogged on past without registering them. Their choice, I suppose.

There were the usual sorts of wayside items that occur all along the major Camino routes.

There were coffee stops available, some at established cafés, some at more entreprenerial setups.

The best part of the day was towards the end, with about 7km to go:

another Complimentario. It added over a kilometre to the overall distance of the day, but for almost all of it was a delightful end to a walk that I’d found quite difficult to handle. Fewer people, lovely shady woodland and riparian scenes.

At the end, we passed under a couple of tunnels that had been well decorated

and arrived in the town of Pontevedra.

Sorry about the punter in the shot; life is too short to have waited for a gap where no-one was taking fucking selfies

There’s a memorable quote from the BBC’s Doctor Who on the nature of time: “People assume that Time is a strict progression of cause to effect, but actually from a non-linear, non-subjective viewpoint, it’s more like a big ball of wibbly-wobbly, timey-wimey… stuff.”

One can say the same about Distance, which is not constant, despite what the International Committee for Weights and Measures would have you believe. The last kilometres of a long walk are much longer than the first kilometres, particularly when walking through the outskirts of a town.

To its credit, Pontevedra did its best to leaven the mix a bit.

That thing in the middle of the road there

is the official mark that says there are 64.5km between it and Santiago.

Pontevedra is the capital of its province in Galicia, on the Lérez river at the head of the Ría de Pontevedra. It began as a Roman settlement, then grew into a major medieval fishing and trading port. That prosperity faded in the 16th century when the river silted up and Vigo took over as the main harbour. Today it is known for its well-preserved granite old town of small plazas, along with the scallop-shaped Capela da Peregrina, the Renaissance Basilica of Santa María a Maior and the ruined Gothic convent of Santo Domingo.

Quite some history, then. We used the bits of the day not dedicated to checking into our hotel (Hotel Rúas) and getting lunch (an engaging place called Taberna Felix, just round the corner), to explore it a bit. To do that, we went for a walk. Obviously.

The first thing that struck us is that the old town in Pontevedra has a heck of a buzz on Saturday lunchtimes.

There are many elegant buildings, and the place has an engaging quality to it.

The Capela da Peregrina is a very distinctive shape.

On the outside, one can see St. James

and on the inside,

the statue of the Virgin Mary as Peregrina

and a handsome cupola, shaped like a cockleshell.

The Basilica is an impressive chunk of masonry viewed from the side

or the front.

Inside

it has a very intricate altar screen,

a statue which we now know to be of San Roque

and a decorative rose window.

The ruined Gothic convent is another impressive edifice, which must have been awe-inspiring in its day.

There’s another thing, of course, which concerns how the town got its name.

It comes from Latin Pons Vetus, “old bridge”, after the original Roman bridge over the Lérez; Ponte Vedra is the Galego form. The arches of the current, medieval bridge are fetchingly decorated with cockleshells,

appropriately enough, as we shall be walking out of the town across the bridge tomorrow morning.

Ah, yes: tomorrow. We have to get to Caldas de Rei, some 22km away – another Brierley stage, so likely to be crowded again. The weather forecast is for another decent day, so we plan to start walking around 9am in the hope that hoi polloi peregrini will have buggered off early and so we might get a bit of peace and quiet. Wish us luck!

A Final Flurry in Florence

Thursday 8 May 2025 – Jane had booked tickets for the Uffizi galleries with an entry time of 10.45, which made for a relaxed start to the day – a leisurely breakfast and then a 15-minute walk to get there. The galleries are very imposing slabs of masonry which flank a street, unimaginatively called Piazzale degli Uffizi. You go in one side, walk through galleries along it, and then cross over via a bridge to the other side before walking back along that. The best view to get a grasp of it comes, actually, from inside.

The Piazzale runs down the middle, and the entrance gates are on the right in this picture; typically one approaches the complex from the direction of the Palazzi Vieccho, which you can see in the distance. Actually, finding the right gate is the immediate challenge; we had to find Gate 3 in order to pick up our pre-booked tickets before entering through Gate 1. The signposting provided is very discreet, and it had us trawling the length of the Piazzale from top to bottom before indicating that we should have been back to the top. A friendly army chap pointed us in the right direction and we picked up our tickets with no problem, then crossed the Piazzale to Gate 1, where there were several queues.

The queues, while substantial, are very well-managed, and promptly at our allocated time we filed in through Gate 1, passed security – and equally promptly walked the length of the building so we were back at the Palazzo Vecchio end. There followed four flights of steps to get to the top gallery, which was, well, very museum-ish.

The ceilings to these corridors are amazing – every panel is different.

You make your way along this main drag, every so often being offered a side show, typically featuring the work of a prominent artist, e.g. Botticelli. So you can pile in and take a look.

The Botticelli exhibits were in more than one side room, and the main interest lay in the second room.

“Primavera” is clearly a painting of great interest, as is Venus on the half-shell.

One has to fight through towards the front to get half a chance of an unobstructed view.  As usual, lots of people were not interested in seeing a unique piece of classical art unless they were in the foreground.

Harrumph.

At the end of the main drag, the corridor turns a sharp right and then right again to take one back down the other side. It’s here that one can see the galleries in the first photo in this post; also, since one is by now at the river end of things, you get a superb view of the bridges of Florence

with the Ponte Vecchio nicely in the foreground.

On the way back along the other corridor, one is offered such masters of art as Michaelagelo and Da Vinci. We popped in to the Raphael gallery, which was

a bunfight; I managed to get a photo of his picture of John the Baptist as a young man.

Then we got to the best bit – the cafeteria. You’ll have twigged by now that all this classical art does nothing for me, so I was glad to be able to sit down for a coffee and a beer. There’s a nice rooftop terrace, with fantastic views over the city which have been carefully obscured by fairly high walls around the terrace. You can get an eyeful of the upper stories of the cathedral campanile and the Palazzo Vecchio

but that is, frankly, about it. Coffee over, it’s simply a matter of

four flights of stairs down and back out into the Piazza della Signoria, by the Palazzo Vecchio, where one can get a nice snap of David and Goliath Hercules doing the “protect the city” bit.

As ever, one has to jockey for position,

but there’s also the opportunity to see Neptune having a slash.

Well, even the gods have to go, and he presumably must normally have a silent pee as in “swimming”.

Our next port of call was something that Bianca, our guide of yesterday, had recommended. From the outside, it’s not particularly prepossessing

but inside the Opificio delle Pietre Dure  is a whole different story, something I found hugely more engaging than all that celebrated classical art in the Uffizi. It is home to the museum of artistic production in semi-precious stones, and the artwork on display is wonderful to behold. There are works of art, all executed in stone, some small

Bible stories

and some larger, like this tabletop, which is a good metre and a half wide.

The inlay stone work is phenomenal – here is one of the birds from that table top.

A common theme is the reconstruction of paintings in decorative stone.

Stone work above, original painting below

and there are many examples on view. They’re all exquisite and some are seriously impressive; shown below are two examples with close ups of details below (I hope; I can’t be held responsible for how your browser decides it’s going to show you this).

Upstairs in this small museum is given over to showcasing the workshop – the workstations that artists will sit at,

the tools they use

and the stones that form the raw materials.

I think we spent longer in this relatively tiny place than we did in the Uffizi. It was a delightful interlude. However, lunch was beckoning and we had to head out into the crowded streets and back down towards the river, past the cathedral, where the street artists were clearly setting themselves up for the expected weekend rush of punters.

(The city was, once again, very crowded – many large tour groups and also groups of schoolkids, largely younger than the ones we’d seen yesterday). We had a little time to spare, and Jane had found a Basilica for us to investigate – the Basilica of Santa Maria Novella. It is at one end of a very pleasant piazza (I don’t, I think, need to tell you its name, which was not imaginatively coined)

and is a striking building.

The distinctive Florentine white-and-green is not in marble but is painted on, Nonetheless, it’s a splendid edifice, and the inside is matchingly splendid.

There is some nice stained glass, both traditional and more modern

and some sumptuously decorated chapels.

Even the gift shop gets the treatment.

The Basilica boasts not one but two cloisters: a small one

which has a remarkable Spanish Chapel off one arm featuring astonishing artwork

with a stunning ceiling;

and a larger one

with artworks in every arch.

Once outside, we saw that the splendid facade was not matched by the view of the back of the Basilica. It’s very handsome, sure, but not as striking as the front.

I had booked us a late lunch (acting on a suggestion from ChatGPT, actually) at somewhere grandly calling itself the Angel Roofbar. After a certain amount of blundering about we found it, five storeys up, and settled down for a Nice Lunch.  I found it a bit of a strange place. I had been expecting a restaurant, but it was more a cocktail bar which did some food. The food was  good and the service very affable, but both food and drink service stopped prompt at 3pm, which was a bit odd since we had a 2,30 table; we had to plead with the waitress to make us a drink to have with our main courses, which was a bit unusual.  The views over the city I had been expecting were decent enough but not remarkable

but anyway we departed refreshed with only a couple of things left on the day’s agenda. One was a matter of practicality: we have to catch a train earlyish tomorrow and we wanted to make sure we knew roughly how the station worked, so we walked over to check out what we’ll have to do tomorrow morning. En route, we passed a very attractive wine bar

with people standing in the sunshone outside with their glasses of wine; and a nice piece of marketing at a bistro

with a replica of the Duomo featuring corks – very cute.

Having checked out the station, we headed back towards our hotel, going via another place that Bianca had recommended – the Annunziata Church itself. We couldn’t get in yesterday because a service was under way (you’ll of course remember the photos of the little cloister outside the doors that I shared yesterday), but it was open now, and so we went in.

Blimey!

It’s quite a place,

with a multitude of highly decorated chapels along each side

and a remarkably-painted cupola.

So we were glad that we’d made the effort to see inside, as it made a fitting end to the day’s perambulations.

Or almost, anyway.

We had one more thing to do, on the recommendation of a friend – to go and see the cathedral lit up in the evening. So we did. It’s very beautiful.

So, th-th-that’s all (for Florence), folks! Tune in again soon to see how our time in Pisa worked out.

Day 15 – Holy Split!

29th September. Time to go home.

We were turfed off the boat quite early, with four hours to kill before being picked up to go to the airport, where we would have three more hours before our flight. The Trogir marina, as well as being huge, is a very well-organised outfit, and so before long we were ensconced in the coffee bar

where I was able to write about our visit to Trogir. Then we had a nice lunch at the Yacht Club restaurant there, which featured one of those Small World things which are so interesting when they happen. There were some English chaps sitting at the table next to us, all wearing the same style of shirt, so, out of curiosity I took a peek to find out what that was about. Imagine my surprise! when it turned out that these guys were from the Rugby Club in Chobham, which is where we live.

That was all a bit of fun before being taken to Split airport. Security and passport controls took no time at all, but then we got to the departure lounge…..

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It was ridiculous. Lima departure lounge is pretty bad, but I have never seen scenes like Split. This appeared to be a normal day – no Air Traffic Control problems, no weather issues – so the lesson is clear: avoid this place, particularly on holiday change-over days. Hint for travellers – there’s a USB charging point behind Gate 7 with seating beside it on the window sill, provided you don’t mind draping your legs over a radiator.

To be fair to he airport, it did thin out eventually, and I heard that several flights had been delayed earlier, which might explain the crowding.

Anyhoo…onward progress to Munich was punctual and uneventful, so all the above kerfuffle meant was that Split airport was denied the profit it might have made from my buying a beer once the crowd had thinned to the point where I could actually see there was one.

From Munich to London was equally uneventful and so we arrived home around 10pm with the very real prospect of a decent cup of tea as compensation for the end of what has been a great two weeks in Croatia. I plan to round off the whole Croatia travel blog thang with some musings about the holiday and the place, so stay with it whilst I organise my thoughts. See you soon.