Author Archives: Steve Walker

About Steve Walker

Once a tech in-house PR type, now professional photo/videographer and recreational drone pilot. Violinist. Flautist. Occasional conductor. Oenophile.

Cave at Emptor

Friday 27 September. After yesterday’s sloth, we had resolved to be up betimes and hasten ourselves off to the bottom right bit of Mallorca in order to visit a major tourist attraction – the Caves of Drach – and its younger brother – the Caves of Hams. I suppose we were early in the sense that we hit the hotel breakfast buffet just before the halfway mark in its open window. We departed the hotel at about 1015, with the car’s satnav being a little equivocal about which way we should turn out of the (really very dangerous) hotel exit. After a certain amount of swearing and U-turning, we set off, only to find that the satnav lady was taking us the pretty way (referred to in the hotel guide booklet as being good for an excursion, but not as a regular route). It soon became a very tortuous road, as it became clear that we weren’t going through the middle of the two great slabs of mountain that stand out from the scenery, but over the top of one of them.

Fortunately, the road was quiet, with the main traffic being cyclists hurtling down the hill. We found that they bounced off the bonnet reasonably unobtrusively and hardly damaged the car at all.

No, of course we didn’t, really. We made it to Bunyola, the nearest large town (and scene of a remarkable pre-Christmas lunch over 30 years ago – catch me when I’ve had a few and I’ll tell you all about it – since when the village of Bunyola has become the town of Bunyola and has developed something of a traffic problem). Eventually the road became a perfectly normal road and an hour or so later we were at Porto Cristo, the home of both sets of caves, just in time for the 1200 entry to Cuevas del Drach.

Sadly, every other tourist on the island had had the same idea, and so the 1200 visit was full. We decided to go for a 1500 tour and then departed for the other caves, the Cuevas dels Hams, which was much quieter. OK, deserted.

We bought tickets and the very helpful lady at the desk told us that the coffee was better in the coffee bar inside – inside the cave, that is. So off we went, and had coffee whilst waiting for the tour to start, serenaded by Mozart. I think every piece of music they played (see later) was by Mozart, so either they had a big thing for Wolfgang Amadeus or they assumed that the punters would at least not be offended by it. Actually, it was rather nice hearing Mozart’s 38th Symphony in a cavern whilst drinking coffee.

After we went in on the tour, the first thing that was promised was “The Blue Cave”. And it really was very, very blue.

but that was because they’d used blue light to illuminate it. We trooped into a small theatre and were shown a short (but not really short enough) film, entitled “Genesis”, which went through all sorts of pretentious preliminaries before telling us about the discovery of the caves. Then we trooped through the caves themselves which were very colourful

Caves of Hams Caves of Hams
Caves of Hams Caves of Hams
Caves of Hams Caves of Hams

but the colours were because of the artful placing of coloured lights, not really because of the formations themselves, even when the overhead commentary covered the topic.

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The name of the caves themselves came from some mysterious formations, where stalactites went round corners and bent back upwards, like fishhooks – and “hams” is the Mallorcan for fish hooks.

The final showpiece was a “concert”, in a cavern where the caves met the water at sea level (30 metres underground). More Mozart, you’ll notice, as an illuminated boat slowly swished around against a backdrop of projected video.

After an hour or so we emerged, blinking, back into the daylight, thinking that it was colourful enough, but that the overall presentation was a bit cheesy. A coffee break passed the time agreeably until we should go back to the Drach caves, which were somewhat more popular.


Drach is an altogether better experience – bigger, less cheesy and more impressive even though less colourful. Jane and I had been here before whenever it was that we last visited Mallorca, a date lost in the mists of time. I don’t have any photos of the Drach caves from that visit and we bought a calendar at the obligatory retail opportunity back then, which makes me believe that they didn’t permit photography in the caves then. Today is, unsurprisingly, very different, and photography is allowed, without flash (although there were many instances of people using flash, presumably because either they didn’t know how to turn the flash off, or, more likely, hadn’t spotted that their flash was operating). And I’m glad it is, because it’s very beautiful and very impressive – the Drach organisers let the formations speak for themselves much more than the Hams people do.

Caves of Drach Caves of Drach
Caves of Drach Caves of Drach
Caves of Drach Caves of Drach

One processes through a predetermined route, with lots of photo opportunities. There’s one point where the path widens sufficiently that people can – phew! what a relief for them! take photos of themselves in front of the formations

and the end point is (also) a concert in a, erm, cavernous arena, where there’s a lake big enough to support a boat with a quartet of musicians on board – two violins, ‘cello and harmonium. One is not permitted to photograph or video this and I was astounded that not one person attempted to use their phone or camera during the 10 minutes of the concert (except me, and that was a misunderstanding of whether it had ended). The music was pure cheese – Pachelbel’s Canon, Elgar’s Salut D’Amour, that kind of thing – ending, perhaps inevitably, with the Barcarole from Cavalleria Rusticana.

Cheese aside, there is merit in both of these tourist places – Drach is more impressive and better organised, but it’s possibly worth booking your time slot in advance, if you can be that well organised, just like we weren’t. Anyway, I’m glad we did both, and it was a nice opportunity to walk down into Porto Cristo afterwards to see what opportunities there were for “lunch” (it being 4pm by this stage). It looked, it has to be said, promising.

We settled on a restaurant called Cap D’Es Toi, and had a very satisfactory meal there. Now, look: I don’t approve of posting photos of food, but I have to make an exception for the “Filet of St. Peter Fish with Fried Onions”. There really was fish under there, honest!

and I manfully stepped up to the challenge of finishing and probably irredeemably damaging my health. But It was delicious! (I should add that I felt a bit queasy during the night, but serve me right, I suppose)

After that, there was nothing for it but to walk back up to the car and head back to the hotel, via, it has to be said, a less torturously twisty route. Having arrived here, all that was needed was to process several hundred photos and write this blog post, which I hope you’ve enjoyed reading.

Tomorrow might see us going for a hike around the local hills. But you’ll have to read on to find out if that happened, won’t you?

Re: Vueling

Thursday 26 September. Yesterday was the transition day from Barcelona to Mallorca and from tourism to a holiday.  Tourism is hard work; a holiday is for relaxing and recharging, and that’s something we want to do over the next couple of weeks whilst still getting out and about a bit.

The travels yesterday happened pretty smoothly – no significant problems and only minor niggles.  We were collected from our hotel and deposited at Barcelona’s magnificently named El Prat airport, whence we would be flying on Vueling – a first for me.  First impressions are important and I have to say that the Vueling check in process was not trouble-free: we had to spend no little time seeking a working machine that would print our baggage label; and then we had a similar amount of trouble finding a working bag drop machine.  There was a single Vueling operative there, ostensibly to help; but the only contribution he made for us was to tell us that the process was self-service.  Eventually it was and we managed to get our bags accepted, and off we went to join the security queue.

The rest of the airport experience was pretty standard – a slightly aggravating security queue, a meal at TGI Friday’s which was OK; and many minutes standing on the airport bus waiting for the mystery bus tour to the middle of the airfield to start whilst last-minute people dashed on board.

The flight was pretty standard, too – mercifully short, as Vueling clearly expect their customers to be, going by the amount of legroom available.

Palma airport was a bit of a surprise in its sheer size and busy-ness – there are some 18 baggage carousels, and people were coming and going the whole time, and this was only a Wednesday lunchtime.  We had to wait about 20 minutes for our bags to arrive, just long enough to start questioning the accuracy of the Vueling bag handling processes.

We made our way past a human zoo of people queuing for their hire cars at various booths (including Goldcar – after the coverage they’ve received, I was astonished that people are still prepared to use their services). By contrast, we were met by our charming Castaways rep, Jane, who took us across the way to a chap who was standing there, evidently awaiting us.  He turned out to be the car hire rep for Roig – a slightly odd man but very well-organised.  So we fairly soon found ourselves in charge of a Renault Captur and trying to get out of the airport car park, a process somewhat complicated by cars in front of us being driven by people who clearly didn’t have a clue and who needed help from a very harassed-looking airport parking operative.  But we got out eventually, and started making our way (tentatively, since it’s a long time since I’ve driven on the wrong side of the road, and I also had to deal with a manual gearbox which has not been a feature of my life in the 21st century) towards our hotel, L’Hermitage. We had paper directions, which was just as well, since the car’s satnav was speaking Danish at this point.

Reader, we made it – no actual crashes, and no actually getting utterly lost, but a few unplanned detours and occasional need for heavier pressure on the brake pedal. So here we are at the hotel, which looks just the right place to have as a base for relaxing and refueling.

We have a full week before we move on to Menorca – a great opportunity to explore Mallorca and possibly take a day trip to Ibiza, too. But today is a day for taking it easy and considering our next steps, which will be documented, as ever, in full here.  See you later!

Barcelona, Day 3 – saving the best (yes, the most bonkers) ’till last

Tuesday September 24. The main act of today’s entertainment was to be Barcelona’s pride and joy – Sagrada Familia – the Basilica of the Holy Family. That was the afternoon’s feast, we thought, and we thought we’d try a light starter by way of a tour around the Music Palace – Palau de la Música, conveniently a few minutes walk from our hotel. If you remember that far back, I included a couple of pictures of its exterior in a post from a couple of days ago, at which point we decided that it might be interesting to see the inside. Tours are organised in a variety of languages and so we booked ourselves one for 11am and settled down for some coffee in the coffee shop, which kind of gave a hint about what awaited us.

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We joined the tour group just before Jane burst a blood vessel at the fucking idiots who weren’t interested in a photo of something beautiful unless they themselves were in it, and were taken into a space which we were told was the rehearsal room, where artists could warm up before performance in the auditorium above. A rather lovely video was shown, with lots of famous people (Barenboim, Muti, Lemper and many more) saying what a wonderful place it was, but, more to the point, showing video snippets of the auditorium, which really whetted the appetite. At this point they explained that we were allowed to take pictures and video during the tour, in direct contradiction to what’s written on the tickets. I wonder if this policy has been affected by the recent influx of people for whom life doesn’t exist unless they feature in photos and videos of the places they have visited.

Anyway, having not expected to be able to take photos, I was positively salivating at the prospect of seeing inside the auditorium. And, it is truly amazing inside. The architect was Lluis Domenech i Montana, who was a significant influencer of Gaudi, whose name is far better known, possibly because it’s rather easier to remember.

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We got two other scenes – the auditorium from the second floor, and also a salon just by the restaurant where one could get a bit closer to the pillars that can be seen from the street below.

Then we were taken to the second floor, where you could get a much better idea of the central “glow worm” light panel which is such a feature of the auditorium.

and of the auditorium itself.

Look, I could go on – but you’ll have to look at my Flickr feed to see more photos, once I’ve sorted through them. For now, we have to move to the main act of the day – Sagrada Familia, Gaudi’s masterpiece and the most famous slab of architecture in Barcelona, or possibly even the world.

The place falls into, possibly even defines, the “bonkers but beautiful” Barcelona badge. I mean, look at it!

It’s not finished yet – plan is to complete it by 2026, the anniversary of Gaudi’s death (at the age of 73 and the hands – if that’s the right word – of a tram, tragically – and he was shabbily dressed and no-one knew who he was, so by the time he was taken to hospital it was too late).

The view above is of the “Nativity” façade . A typical aspect of the intricacy and interwoven nature of the design is that each façade tells a story – so the Nativity façade has a whole host of detail about the birth and early life of Christ, and is the only one that Gaudi lived to see completed.  The Nativity façade lies to the East, the Passion façade to the West, and the Glory façade to the South (yet to be completed).  Currently there are eight finished towers, of the total of 18 in the design; the most impressive will be the central one, representing Jesus Christ, which will rise to 172.5 metres tall (just less that Montjuïc, the hill by Barcelona – Gaudi said that the works of man should not exceed those of God).

Every aspect of the building – the dimensions and the relationship between them, the number of towers, the height of each and what each represents, the choice of colours in the stained glass windows, the choice of stone for the pillars that support it – is carefully considered and has a place in the overall story of the building, which is an embodiment of the story of Christ and the Holy Family – Sagrada Familia.  The fascinating thing about it is that the intricacies and detailed stories are on the outside – the inside takes its inspiration from the forest, and is a space reserved, independent of faith or denomination, for spiritual contemplation. And selfies.

Last time I was here (2008), the interior was full of scaffolding. It’s now clear and open to the (crowds of) public. Again, I could post dozens of pictures (and I will, on my Flickr page), but a couple of things among the welter of detail caught my eye as we approached the Nativity facade. For a start, someone has nicked this angel’s harp strings, and she looks well pissed off about it.

and this is the only carving I know featuring an angel playing the bassoon.

here is a video of the interior, which is simply breathtaking in its scope, grandeur and attention to detail.

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Let me share a couple more photos with you. Gaudi was obsessed with light as a component of his designs and Sagrada Familia has plenty of demonstrations of his skill in design. For example, the east- and west-facing windows have stained glass in them to emphasise the cool of the sunrise and the warmth of the sunset.

And the light from these plays on the columns wonderfully.

It is impossible to do justice to either of the buildings we visited today – it was simply wonderful to have had the chance to see inside them both. Afterwards, there was nothing for it but to go to the beach and have another great meal at Agua, after which we walked back to the hotel.

Even in this, Barcelona produced a few more quirks. Glimpsed through some trees, we saw a golden figurehead on top of some major monument. On further exploration, this turned out to be the Cascada de Ciutadella, an early work in which Gaudi was involved.

On the rest of the walk, we saw another quirky piece of statuary

and a couple of guys who looked like they were practising for some kind of gig at La Mercè.

Even though I’ve visited Barcelona before, even though I’ve seen some of its sights, the three days we’ve had here have revealed so much more of its character, culture and history. It’s been a pleasure to walk around the place and experience even more of its atmosphere and ambience. We will be back. But for now, tomorrow is the day we have to move on to the next leg of our Balearic adventure – Mallorca, here we come. I’ve cabled the authorities.