Sunday 15 February 2026 – Our eventual destination for the day was Rotorua, well-known for being smelly and overrun by seas of boiling mud. On my previous trip to New Zealand, way back in 1988, the boiling mud thing was just about all I knew about Rotorua (and, let’s face it, the whole of the North Island, being, as I was, vastly ignorant about almost everything back then), so I found some boiling mud and judged the expedition a success before heading back to Auckland. This time we’d be staying in Rotorua for a couple of days so were fairly sure that another dose of boiling mud would be easy to find. En route, though, we had an appointment with a place which I had more than a nagging suspicion was going to be naff but which Jane absolutely insisted be on our schedule – the Hobbiton Movie Set, near Matamata. Jane is well versed in all things Hobbit-y and Middle Earth-y, having read and, as far as I can tell, memorised JRR Tolkien’s Lord of the Rings trilogy.
We had a booked entry time of 10.40, and John (of Kiwi Dundee) had warned us that we’d better make sure we were on time, as he said the place is pretty fully booked most of the time. Given that we had a three-hour journey, that dictated a brisk start to the day, so an 0600 alarm reminded us that we were travelling, not having a holiday, OK? The journey was uneventful, leading us past some more great scenery on the bottom end of the Coromandel Peninsula

before entering the large plain that lies to the south of the peninsula, which is really very flat indeed.

Being flat, it lends itself to dairy farming, and we saw huge numbers of cattle grazing on fields beside the road as we went. The Hobbiton Movie Set is clearly a Big Deal, as signposts to it start some way out. As one gets closer, the wording on the signs is, I think, a bit enigmatic.

Do they farm tourists on the movie set? Breed them and then set them free to roam the world on vast great cruise liners so that snobs can tut about tourism ruining all the nice places?
We arrived in good time, and were actually offered an entry time ten minutes earlier than our booking, which we accepted. I’m glad we did because it meant we ended up with a guide around the site who did an excellent job.
The Hobbiton Movie Set is not like the Harry Potter site near Watford in the UK. There, one can wander at will; on the Hobbiton set, one is shepherded from place to place as a group, with a guide giving talks at various places around the set; one is strongly discouraged from independent wandering. This goes against the grain for me, but actually, since groups arrive with guides every ten minutes, there really is value in going round with the group. as the information dispensed is very interesting.
The group is shepherded on to a bus to take people from the entry and car parks to the set.

There is a welcome video shown on the bus to give some context to what’s going on, and it’s at this point that one begins to get an insight into the scale of the operation. A bit of history:
The set was originally built in the 1990s for the Lord of the Rings film trilogy. It is located within a large farm, owned by one Ian Alexander, and was found by a location searcher on a flight over it; it has many of the right characteristics – undulating hills, a lake and so forth – for creating Hobbiton in The Shire for the relatively small amount of time that it would figure in the original trilogy. It was built according to typical movie set rules, i.e. largely faked. The filming was done in about three months and the set broken down and returned to farmland. The story gets more interesting when Peter Jackson, the producer of the Rings films, decided to make a trilogy of films based on Tolkien’s prequel, The Hobbit, some twenty years later. He returned to the Alexanders and between them they decided to make something that was a film set first and foremost, but particularly could then be used as a visitor attraction. A lot more care was put into building the Hobbit holes and associated buildings and the whole thing was put together with a great deal of attention to detail and longevity.
The Hobbiton Movie Set, then, is a 125-acre plot within a 12,50 acre farm – so about 1% of the total area. Small as that percentage is, it still makes the Hobbiton set the largest movie set in the world. It’s clear, from the entry and coach ride over, that there is a vast amount of sheep farming going on.

and one gets the very first glimpse of the set on the bus ride over.

We then got the initial briefing from Rob, our guide (amazingly enough, originally from Guildford, a few miles from where we live in the UK – and he had lived in Knaphill which is the next village to Chobham! Small world…).

He gave us some preliminary information and made it clear that we were expected to stay with the group. Most people in the group had seen the Rings films and quite a few had seen the Hobbit trilogy; but apparently some 40% of visitors have not seen the films – but still they come.
There’s the formal entry point, with its inevitable focus for group photos
and then we got our first view over the film set.

Rob then led us on a route around the place, stopping to give us lots of background information about the creation of the set, and some of the things they had to get up to to make it look lifelike, such as false perspectives to underline the difference in size between four-foot high hobbits and 7-foot high wizards. To be a hobbit extra in the film one only had to be no more than of 5′ 6″ tall and have curly hair; apparently a lot of local farmers suited these criteria.
The tour round offers a view of more hobbit holes than one can shake a stick at; some are built to different scales to aid the false perspective mentioned above
and the main one was, of course, Bag End, where Bilbo Baggins lived, at the highest point of the set.

One could see that a lot of care and attention had been paid to detail and, where possible, to what Tolkien’s vision was for the village to add verisimilitude to the scenes,
even to the extent of ensuring that nasturtiums were growing outside Bag End, as described in the books.

A lot of thought had been put into planting a variety of flower species, some from middle England, where Tolkien lived, and some natives from New Zealand to give the place a sense of being otherworldly. Where clothes hung on lines, these had been put up and taken down every day so that paths were worn through the grass to make it look realistic.
The huge tree above Bag End was the subject of another interesting story from Rob.

It’s an oak tree. For the Rings films, a real, live oak tree was chopped down and erected there,. which in itself must have been a huge endeavour. But it was propped up there without roots, and so by the time of the Hobbit films it was dead. So it was replaced by an entirely artificial tree – scaffolding poles and other materials make up the trunk and branches. At first, it had 370,000 artificial silk leaves attached to the branches. This was fine up to the point where there was a hiatus in the filming through Peter Jackson’s illness. When they resumed, sunshine had discoloured the leaves. How to deal with this? Employ four art students, who hand-painted each leaf a different colour each side! The leaves we see today are different – there are only 200,000 of them and they are made out of some kind of polymer. But what an astonishing approach to take to getting verisimilitude.
Another staggering example was how they got Ian Holm (the original older Bilbo Baggins in the Rings films) into the films, as he couldn’t travel to New Zealand. So a replica set for the inside of Bag End that had been created in Wellington was transported over to Pinewood Studios in the UK in its entirety for the filming and then transported all the way back to Wellington. Now that all filming is finished, it is apparently in Peter Jackson’s home as a guest suite.
Most of the hobbit holes (including Bag End on the site) consisted of frontage only, but two had been set up with complete interiors so that visitors could actually walk through and see what a “real” hobbit hole looked like inside. Jane went through one
and I went through the other.
Standing at the highest point of the set, outside Bag End, one could get a sense of just how the set fits into the vast surrounding farmland;

and could also get a view of the lake, with the mill and the Green Dragon pub,

and that was the last destination on the tour,

where Rob served his group with free drinks

in the pubs beautifully set-up interior.

Outside, beside the bridge

the mill had a moving water wheel

and one could sit outside and look back over the movie set towards Bag End.

We were then bussed back to the entry point where it only took us about a quarter of an hour to find the car among the car parks. It really is quite an operation: every ten minutes a tour group of 40 guests goes round the set – that must be over 2,000 people a day, and it’s busy every day. My low expectations turned out to be wrong. OK, I still found it endlessly enraging that people consider a scene to be acceptable only if it includes them in it, which makes my photographer soul die a little every time I see it; but I found the whole thing really interesting, and quite heartwarming to see the care and attention that had been paid to making it as good an experience for as many people as possible.
We completed our journey to Rotorua past more great views and a sense of some incoming weather.

At one point we drove through a torrential rain storm, which, it seemed, followed us into Rotorua – we watched the rain lashing down as we settled in to our accommodation. Our hotel was the Millennium Hotel, which seems very posh. Mind you, our room wasn’t ready when we got there, despite it being after official check-in time (but they gave us free coffee whilst we waited) and there’s a rather complicated relationship between the fridge in our room and the cabinet into which it just fails to fit. But there is a kettle, and a hot tub outside on a little deck for Jane, and seems very comfortable.
We have a couple of full days in Rotorua and a few Things To Get Up To. Stay tuned, and you’ll find out all about it!

































