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Day 8 – Lucignano to Buonconvento – Short but interesting

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Wednesday 21 May 2025 – With only 13km to cover today, we could afford a leisurely start. Not too leisurely, though; our bags still have to be ready to be collected by 8am to be taken to our next destination. But at least the alarm was set for a slightly later time than heretofore.

The hotel had some interesting wall decorations: photos of places we have visited, such as Monteriggioni and San Gimignano and others, some of which we will pass through or near.  It also had a couple of items of Sienese interest: a picture of the 17 emblems of the contrade in suitably victorious poses

and a monochrome photo which gives a compelling insight into the excitement the Palio jockeys must inevitably face.

Breakfast (a typical Italian affair) over, we started out just after 9am, bidding farewell to Lucignano

as we carefully negotiated about half a kilometre of main road to get back to the Via, occasionally leaping into the undergrowth to ensure that the thundering great lorries missed us. (OK, I admit it – this was basically to avoid retracing our steps along yesterday’s lengthy diversion when a short cut – albeit not a recommended one – was available).

We rejoined the Via, which led over a railway

and then on a track beside it.

We had understood that the railway was practically disused, with traffic running only on special occasions, so I popped up to take some photos along the line (not very interesting) and to see whether walking along it was better underfoot than the path (not). So it was a bit of a shock when a train went past a few minutes later, I can tell you.

The temperature was agreeable – probably around 20°C, and the only signs of yesterday evening’s downpour were the reasonably high humidity, grass still wet on the track and some slightly slippy muddy patches. But getting our feet wet wasn’t a particular problem; we just walked on without any issues. The scenery was very agreeable and very Tuscan;

we will be going through the Val d’Orcia, which is a UNESCO World Heritage area where the extensive use of cypress trees was first adopted. As you can see, it has spread and is now a sort of pictorial shorthand for the landscapes of Tuscany.

Disused items of agricultural machinery were dotted around the area, original uses for which we wot not of (and neither, by the way, does Google Lens).

Also dotting the landscape were various artworks, some of which were definitely part of the “Museo de Arte Diffusa” (first works seen yesterday)

This one, at Ponte d’Arbia, probably represents pilgrims crossing the pilgrtim bridge

and some which probably weren’t.

At one point, astonishingly, we had the opportunity to fill in a questionnaire about our presence on the Via.

For the first time since we started out from Altopascio, we saw cattle;

and, later on, donkeys,

one of whom looked distinctly Eeyorish.

About halfway along the route was a place called Ponte d’Arbia, where, importantly, there was a coffee stop. Unsurprisingly, the place sported a bridge across the river Arbia,

but, we saw on the S-cape app, it also has a second bridge, the “Ponte del Pellegrino”. I was expecting this to be a rickety-rackety affair (minus the troll; trolls hate Italian sunshine), but I was very wrong indeed.

Located at the foot of the far side of the Ponte del Pellegrino

It was constructed in 2016, for a Jubilee Year (Giubileo della Misericordia) and renovated in 2024 in time for this year, which is also a Jubilee Year, albeit only a Giubileo Ordinario. (Both Jubilees were declared by Pope Francis.)

Ponte d’Arbia clearly has a local council who are invested in wayside art, no matter how incomprehensible.

After Ponte d’Arbia, we had to climb a couple of hills, the first quite small

but the second more substantial, and quite as steep as any of Siena’s streets, only longer.

The view from the top was nice, of course.

(I am really looking forward to doing a proper job of processing these images when I get home. What you see here is, broadly speaking, what comes out of the Sony camera, with a little tweaking via the Android Gallery app; but I will be able to benefit from a PC and my beloved DxO Photolab at home to get detail out of the RAW files.)

On our way up this final climb, we heard a very strange noise, which we first thought might have been some corvids having a row in the trees. But then we passed a pond,

and realised that the deafening racket was from frogs. I couldn’t capture them on video, but just listening to them provided a pleasing diversion for several minutes.

Going down the other side of the hill, in the distance, we saw Buonconvento

and were soon walking into the town,

which is not large, but its centro storico is very attractive.

Our hotel, the rather more modern Ghibellino,

had a room ready and our bags had arrived, so we were able to hose ourselves down and head out for lunch. Jane had booked, on the strength of proximity and Google reviews, a table for 2pm, and so we found our way to the Ristorante Bar Amici di Campriano.

It’s not a posh place and seems on the face of it a bit chaotic (it’s also a delicatessen), but we found ourselves a table and ordered ourselves a G&T (no ice – the machine was broken). We liked the look of a couple of the pasta dishes (unusual for me) and ordered them and some vegetables, but no secundi piatti. The pasta was delicious, but we were a  bit puzzled not to get the veg. It turned out that they were planning to wait and serve us the veg as our main course, which is very Italian, I suppose; but we got them to bring out the spinach and the fennel early, and very good it was, too. The service was very friendly and the whole thing was very good v. for m. We had a chat wth Il Patrone, who has his own vineyard and uses the place to serve his wine. All very engaging, if a little informal.

We pottered round the corners of Buonconvento after lunch. There aren’t many of them, as the centro storico is quite small, but it is lovely.

The church, of St. Peter and St. Paul, has some lovely stained glass.

It is clearly modern, featuring JFK, Gandhi, Pope John Paul II (we think) and Martin Luther King, as well as other faces we cannot indentify with certainty; but we feel that the common theme is that they all died for their faith or beliefs.

At first, I thought that Buonconvento would feature a good convent, but actually its name stems from the Latin bonus conventus, “happy place”. Not a bad name, I reckon – we found it very pleasant.

Today was a short and pleasant day. Tomorrow will be harder work!

The total ascent will be over 500m, so I feel the need for walking poles coming on. The weather forecast is OK – 24°C, no rain until later in the day – and there should be at least one place for a reviving coffee (and quite probably a beer) en route. We’ll be heading into the Val d’Orcia so I expect to be taking lots more photos of cypress-strewn landscapes. Come back soon to find out if that was the case, eh?

Day 7 – Siena to Lucignano d’Arbia – more like the Camino

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Tuesday 20 May 2025 – And off we go again!  We set the alarm for 0530 in order to get a prompt breakfast at 0700, which was a bit of a shame, as the hotel breakfast service didn’t start until 0730. Never mind; we could usefully catch up with the woes of the world while we waited.

We walked through the streets of Siena, with their amusingly-modified tables on the steep bits,

to the Campo, where the swallows were feasting exuberantly.


It was clear that today was Bin Day in Siena.

We exited the city through the Roman Gate

and carried on along a tarmac road for some 6km, past scenery that was, as before, pleasant and rural but otherwise unremarkable.

Eventually, we left the tarmac for the “white road” (i.e. a dirt road) that would be the underfoot surface for much of the rest of the walk.

It took us through an industrial estate

and on to a section of sheltered path which led beside the road

to another industrial estate, though one of a different sort.

In the distance, we could see a Mystery Object

which the track would take us nearer, to give us a chance to understand what it was. We also passed evidence that a major road once passed overhead.

The second industrial estate was just outside a village called Isola d’Arbia, which offered two items of keen interest, given that we had by this stage walked over 10km – a “sosta del pellegrino” and a bar. The “sosta del pellegrino” looked uncannily like a coffee bar, so we stopped to intrude on the privacy of the barman for a swift coffee. We debated stopping at the second bar for another coffee but decided to soldier on. Generally speaking, the going was a lot less arduous than we had been used to in the first week – much less up and down. The temperature was fine – around 20°C – but it was quite humid, and indeed we had a small sprinkling of rain occasionally as we walked. The day felt more similar to those that we had experienced when we walked the Camino de Francés in Spain, only with fewer convenient bars and cafés.

We got really quite close to the Mystery Object

but close examination gave scant clues as to what it was beyond a bleedin’ great tower. We could make out the letters IDIT at the base, and the S-cape map, being on this occasion more useful than Google Maps, told us that it was a “Torre di Essicazione”, which only helped a little, but when I plugged that nugget and the letters IDIT into ChatGPT, we got not just some kind of general information, but a specific run-down of exactly what it was. I quote:

Constructed between 1959 and 1961, the tower was part of the IDIT (Industria di Disidratazione Isola Tressa) facility, designed to dehydrate fruits and vegetables—primarily tomatoes—using a German-engineered process. The method involved drying produce at 33°C within a 70-meter-high silo, aiming to transform fresh produce into shelf-stable powders. Despite the initial enthusiasm, the facility faced operational challenges and ceased production by 1966, having never reached full-scale operation.

Today, the tower stands as a prominent, albeit decaying, landmark in the Tuscan landscape. While the concrete structure remains intact, other parts of the facility have deteriorated significantly, leading to its designation as an “ecomostro” (eco-monster) by environmental and heritage organizations.

While the structure is not open to the public due to safety concerns, it remains a poignant symbol of a bygone industrial era amidst the rolling Tuscan hills.

It certainly dominated the landscape as we walked on.

The white road carried on rolling

In the distance, two Czech pellegrinos who were considerably younger and fitter than us

and we were a little worried that the few drops of rain we’d had might develop into something more sustained – the sky looked quite strange at times.

but any showers that were around didn’t affect us.

We saw a couple more Mystery Objects.

We guessed that the first one was some kind of water storage facility. From the number of man-made and natural ponds, we reckon that water supply for irrigation must be an issue at some times of the year, although right now the countryside was very green. And (I’ll be honest here) the second one wasn’t a mystery at all; it was the Grancia di Cuna, one of the best preserved medieval fortified farms in the Siena area, and clearly a construction of significant size.

The S-cape app suggested a path that deviated slightly from the official Via to take us close by it.

It’s very chunky indeed; of course, once you get really close you can no longer see it properly.

So I took the opportunity to whizz the drone up to see if an aerial shot looked good.

It was built in the 14th century as a collection centre for the grain and other agricultural production necessary for the hospital of Santa Maria della Scala in Siena. It developed into a small independent village surrounded by walls, gates and towers, with the farm-fortress at the centre. Like the tower, the Grancia dominates the landscape around it.

There was some lovely scenery, really typical of Tuscany, to be appreciated.

Our route took us up into the hills overlooking Monteroni d’Arbia

and past some curious artworks – these turn out to be part of the “Museum of Widespread Art” whose works adorn this Siena stretch of the Via Francigena.

We caught our first sight of our destination

but the app led us to it via a very winding route, through a tiny but tidy hamlet called Greppo

with what we guessed was a disused well of some sort outside it,

and then via quite a significant diversion through another industrial area, to the road leading to Lucignano d’Arbia. The Powers That Be of Monteroni (who run the commune of which Lucignano forms a part) had obviously tried to ease the path round a roundabout, to help pilgrims on their way, so we walked along it until

it rather suddenly ended.

With no escape route, we had to retrace our footsteps, which, after 22km, was a little irritating. But soon we arrived in Lucignano, which is a small fortified village;

like Monteriggioni, you can see quite easily pretty much from one end to the other. Unlike Monteriggion, though, it doesn’t have coffee or gelato bars; just the one hotel, the Borgo Antico, whose entrance we found after stumbling around a little bit.

A friendly receptionist checked us in to our room which was on the ground floor (hurrah!) and so we refreshed ourselves and, given there was a forecast for rain, went out for a look round Lucignano. This doesn’t take long. It’s pretty, and small.

Pieve (monastery) di San Giovanni Battista, from 11th or 12 century, used now just for masses

Fortifications at each end

There being just the one restaurant there (in the hotel), I was glad we were on half board. Dinner was taken in the vaulted dining room

and was very good. It was a little bit of a shame that they ran out of gin before I could have a second glass, but never mind. By the time we’d had dinner, the threatened thunderstorm had arrived, and so we retired for the night and to prepare for the morrow.

Tomorrow is a light day; we have to walk just 14km to Buonconvento and there’s a coffee stop on offer at Ponte d’Arbia, so we can both get a rest and take a look at the river which gives its name to so many places. Like today, I’m expecting the going to be relatively easy, but you’ll have to check back on these pages to see how things really went, won’t you?

 

 

Intermission (Impossible): Siena

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Monday 19 May 2025 – Warning! Long Post Alert! Really long!!

I have to try to sum up Siena as we’ve seen it for the last couple of days, which is pretty much an impossible task. Actually, for a tourist only here for two days (for that’s what we are, before going back to becoming travellers tomorrow), there are relatively few highlights to hit: the Duomo, of course; the Campo (the main square); some notable churches; and the general scenery. Once you actually visit any of these tick-box items, though, you are deluged with all sorts of astonishing images. I’ve taken literally hundreds of photos, and obviously can’t bore you with all of them. I’ll try to summarise.

Our hotel, the Chiusarelli, is in a decent location, a few minutes walk from the centre of the old city.  I’ve mentioned its eccentricities, which also extend to decor.

Our room, while not particularly large, is comfortable enough. Unlike most hotel rooms we’ve come across so far (and not, I may add, just in Italy), it has a sufficiency of charging points for the various devices we use – camera, phones, activity monitor, backup drive, tablet – and some of these are usb-c, which is outrageously modern and very welcome. The breakfasts

are ample and feature Twining’s finest Earl Grey, so it has been a happy base from which to ramble. We’ve had a guided tour with the somewhat theatrical Serena, and also been for our own walks. Obviously. Here, in no particular order, are some of the things we’ve learned and some of the things we’ve seen.

Siena is built upon three hills. The practical upshot of this for us tourists is that to get anywhere involves toiling up really quite steep slopes. But for the original medieval settlers, it had a more significant problem – lack of water. Being on the top of hills meant that, unlike its dreaded rival Florence, a river didn’t run through it. It took some significant medieval engineering to create a series of underground aqueducts, 25km in length, called bottini. These tapped into underground springs and rainwater run-off, and were Siena’s principal source of water until the 20th century. There’s a fountain in the Campo, the Fonte Gaia, built to express gratitude for the water. It’s not impressive, like the Trevi jobbie in Rome, there are just a couple of she-wolves dribbling water,

but it represents something terrifically important for the locals.

The Campo itself, yesterday, was not the unencumbered place whose photo I shared the other day, oh no. All over the centre of Siena, barricades were being set up

and equipment rolled out

in preparation for the arrival, yesterday afternoon, of the Giro d’Italia, the Italian equivalent of the Tour de France.  As the day progressed, crowds began to build up

and, at around 5pm the circus arrived, unwatched by me, since I was

making myself useful. Jane watched on TV as the cyclists made their way into town and round the Campo to the finish. Apparently it was quite exciting.

The Campo has been used for racing of quite a different sort – horse racing, believe it or not. Twice a year, the outer edge of the Campo is covered in sand and 10 horses are raced for three laps, a process that takes just over a minute. But it’s a terrifically important minute, and the running of these races continues a tradition started, in Siena at least, in 1633 (apparently, this kind of lunacy has been going on in various other places since the middle ages, would you believe). The race, and the parades and other pageantry that precede it, is called “Il Palio“. Is it popular with the locals? You bet! This is a photo I got from a pamphlet on the Palio, showing the Campo as the race is running.

Why is it so important to the locals? This comes down to the way the city is divided into “contrade” – neighbourhoods. There are 17 in total and each horse represents a “neigh”bourhood. Only ten horses run each time; in the next Palio, the seven neighbourhoods which didn’t participate get a place as of right, and the other three places are allocated by lot. Horses are allocated by a draw, and to be the winning jockey is very important for the inter-neighbourhood rivalries.

Each neighbourhood has its own flag on which is represented its animal. The choice of animal is non-intuitive. One might expect lions, or tigers, but what you get is the rhino, the owl, the silkworm, the snail and other unlikely candidates.  Every contrada has its own museum, church, fountain and baptismal font, and if you look carefully, you can see the badges of different contrade on either side of a boundary.

Eagle on the left, Forest (featuring a rhino!) on the right

The flags are sold everywhere for tourists to buy;

one can buy individual flags or one with all of the insignia on it.

If I understand it correctly, the distinction between neighbourhoods extends even to the way the street lamps are mounted, on “braceletti”

though it would appear that there are also special braceletti, too.

Siena was an important city in medieval Europe, and its historic centre is a UNESCO World Heritage Site, which contains several buildings from the 13th and 14th centuries. The city is famous for its cuisine, art, museums, medieval cityscape and, of course, the Palio. According to local legend, Siena was founded by Senius and Aschius, two sons of Remus and thus nephews of Romulus, after whom Rome was named. Supposedly after their father’s murder by Romulus, they fled Rome, taking with them the statue of the she-wolf suckling the infants (Capitoline Wolf), thus appropriating that symbol for the town. You can see it all over the place; for example on the wall of the courtyard inside the Palazzo Pubblico, the town hall – the building with the tall tower (the Mangia Tower) on the Campo.

You can also see the she-wolf represented on the floor of the Duomo, so now that I’ve exhausted you with talk of history and such, let me show you some images from our tour of the cathedral. It took us a little time to work out how to get in, and in fact our guide, Serena, gave us the best info. We bought the inclusive ticket, for €16 apiece, which got us into the four main bits of this vast complex – the cathedral itself, the baptistry, an area called the crypt even though it isn’t one, and the “panorama”. Fixated as I am with aerial shots of places, we started with the panorama, which you can get to via (loads of bloody steps and) a beautiful arch.

This takes you into a courtyard of which one wall overlooks the Duomo from the eastern side.

This courtyard immediately made me think that it was once a church; in fact it was going to be a church, to expand the Duomo to be bigger than that thing the bastard Florentines have. It was never completed as the pillars you can see to left and right wouldn’t have been able to bear the weight of any roof. So now it’s a car park. But it’s a car park overlooked by a very tall wall, which one can climb; entry is via the museum, the Museo dell’Opera del Duomo.  An internal staircase and a couple of very narrow spiral staircases take you up to the lower

and then the upper level, officially called the Facciatone, from which vantage point the view of the Duomo is spectacular.

Because of the narrowness of the spiral staircases, the traffic up and down is closely monitored and carefully controlled; but, amazingly, we were virtually the only people there at the time we climbed it – it was more crowded later. You also get great views over the city and surrounding areas.

Coming down, you’re led through the museum, which has several museumish rooms with examples of embroidery

and paintings an’ that.

As you can tell, I’m not particularly moved by this kind of art. But awaiting me was a room with material in it which I did find engaging.

In the central display cases were books of ancient music – gregorian chants, written out on vellum and gloriously illuminated.

Around the walls were pictures on what appeared to be paper. We asked an attendant, who told us that they were drawings of the pictures made in marble on the floor of the Duomo. Indeed, there was one of the entire floor plan

with each marble picture carefully drawn.

Elsewhere, there were individual pictures of each of the tableaux.

This is a representation of the she-wolf, and it’s surrounded by the representations of other cities – Pisa, Lucca, Viterbo and so on. Remember this for later.

The way out takes you past a gallery of statues with a lovely representation of the rose window from the Duomo

and the exit is via the church of St. Nicholas,

which is also the gift shop – with possibly the ritziest gift shop ceiling on the planet.

Ritzy ceilings are a key feature in the baptistry, which is back through that arch and down a whole load of steps. Going inside made me catch my breath.

There are all sorts of beautiful details, but the fresco-painted ceilings are, for me, the most amazing aspect.

 

You’ll be unsurprised to learn that I have many more photos, but I hope these give you the basic idea. The bottom right-hand photo there is painted on the inside of a dome. Hold that thought….

Before going into the Duomo itself, we visited something inaccurately called the Crypt.  It’s not a crypt, it has no corpses in it. It was once a church, or perhaps the entry into the cathedral of the time, or maybe a meeting place – whatever, it was built on a level below the current Duomo, which was simply piled on top of it. No-one knew about this earlier space until in 1999 during renovations, workmen accidentally broke through a wall and found something painted blue. Careful research revealed this room, dating from the 1200s, whose walls were completely covered in frescoes which have been preserved by it being filled with debris in the 1300s, buried and forgotten. The interior was excavated – carefully, because of the not inconsierable bulk of the Duomo above, which necessitated special reinforcing to be put in place. And the result is a phenomenal display of frescoes telling biblical and Christian stories.

You can see the steel frame used to support the Duomo above,

and, on one wall,

lo! the outside of the dome of the baptistry. This has to be one of the most atmospheric places we have ever visited.

The final piece was, of course, a visit inside the Duomo itself.

This is the rose window reproduced in the statue gallery in the museum

 

As I said earlier, the floor is covered in tableaux made in marble. They are marblous!

and, of course, there’s the she-wolf.

There was nothing for it after all of this visual overload but to go for a Nice Lunch.  Heading back to the hotel afterwards for a Nice Lie-Down, we managed to do a key piece of shopping

which should stand us in good stead for the remainder of our walking.

Which restarts tomorrow.  We have some 21km to walk to Lucignano d’Arbia. We’ve had a fabulous time in Siena, and it’s been wonderful having the chance to draw breath and do the laundry – these things are important, y’know – but it will equally be nice to get underway again as we head to Rome. I hope you’ll accompany us through the medium of these pages.